A closely related technique of voicing chords using only fourth intervals is explored as well, synthesizing both techniques into a unifed method for two-handed chord voicings. A special emphasis will be placed on aspects of solo piano performance, group performance, chord voicings, creating lines, left hand/right hand independence. In this course, the 'So What' voicings are derived from a transcription of Bill Evans' comping the changes to their namesake tune and their use is applied to traditional tonal progressions. 'So What' voicings confer a modern sound and are a versatile two-handed voicing technique that can be used equally as well for comping or solo playing.
Organizing your voicings in terms of scale degrees is how pro pianists think about jazz piano chords and harmony. Check out this harmony theory lesson to learn more. is to learn voicings for every note of the scale.Even better if you can do it for all 12 notes. It's influence extends literally down to the piano voicings that Bill Evans played on one of the most popular tunes on the recording and in all of the jazz repertoire, 'So What.' Known as 'So What' voicings, the notes of these two-handed chords are arranged with a major third above a stack of perfect fourth intervals. 1 of the best ways to begin reharmonizing your piano songs and to learn jazz standards. The music on Miles Davis' 'Kind of Blue' was influential on many levels: it ushered in the style of modality, it introduced a new voice to jazz piano, Bill Evans, it established several new standard tunes to the repertoire and went on to become the best selling jazz album of all time.
